Authenticity, expression, revelation, application.

28.11.05

[as yet untitled]

From the whim of the water-fed wind
comes the echo of an idea:
to be, and to be filled with light,
and yet to be still the same.

Whatever is the wisdom
of the water-fed wind,
it stills carries with it the knowledge
of mysteries and mountains,
seas and seemingly ceaseless cities—
the contructs of earth and ocean
or the ambitions of man and mind.

And these cravings, whatever they are,
build the broad-bound earth as we know it.
Its streams and streets,
they reflect a spirit born
with the mind of Janus, god of years,
of doors and days that lengthen
both ways, of nights that never end.

Weary of identical days, the craving
for different days rises up in the wind,
and blows across the rolling earth,
stirring the satyrs and the nodding nymphs…

What will they do when the storm comes up,
the inevitable story of season and solar system?
Oft do I wonder what the faeries and goblins
think when the sky spills its secrets.

Whatever the musings of myths and men,
the world will go ‘round as it always has,
orbiting the ocean of light and space,
regardless of wind and water and want.

---
04.22.02
MWL (written as MCW)

23.11.05

"Doppelganger Persuasion"

inclination to notice
a ghost (or twin)
and be convinced
that it is-
in spite of thinness or youth
or posture or stride
or sly blue eyes
or too-dark hair
or breathing or speaking-
somebody you know.

* * *

whisper out of speakers,
song echo, outside, how’s that possible?
he pats his hair down, she’s bow-legged.
birch tree more than magnolias or myrtles;
buildings not moving at all, but you know they are.

four-corners stretch their ghosts;
pale green pants, blue jeans, silver purses,
brown shoulder bags, red roll-y backpacks:
through plaza, by fountain, in out buildings,
across streets, cell phones adhered to hands—
moving, just moving

consuming words conversations across pages by people digested by coke cans swallowed in traffic overcome with coffee clouds towards evening with sun furiously giving to moon watch gawky boy library-bound suited man with green briefcase headphones singing ponytailed clipped ring of telephone baggy pants platform heels construction brown trainers red shirt stark against black tank-tops water bottle fed cigarettes still there shiny magnolia above turquoise button-up coffeeshop time window mirroring slick bricks bell throbbing tower young couple partial to black brow furrowed papers flapping trashcan pale blue baseball mushroom cap cornerstones brass tacks brunette push-button mulch miming white styrofoam shining reflections on treetop peeking shade laughing water up from grate down through grout listing to what leaning over piles of solitary walking stapled to lists invitation mailed notebooks rolling pink folder plastic needing light raven braided-pigtails truck rumbling orange juice and apple colored socks white-haired ears itching temporarily lost looking up day comes up goes down wheelchaired then leg-bent hips swaying eyes closed arms gathered arch of bicycle wheel well he said to Dr. Jones that he would be late on my assignment she hopes he remembers she’ll be absent today going home camo again cane black and brilliant fountain in rhythm with voice in speakers

how is it possible?

---
Revision: 10.21.05
MWL

21.11.05

"Device"

What creates the draw?
Some parts still work, I suppose, remain
bright and shiny as the day they were built.
They purr fluently, as though time were no thing.
Other parts don’t fare so well; in fact, they’re
rusted, petrified, atrophied, fundamentally useless.
Demand replacement. Have mucked up
all the workings, and the purr turns to a phlegm-filled
opera of shatterings and metal crunchings.

Is this tow a ghost of once-workings?
Or new oil to the fittings, a second chance machine?
Maybe just cogs pulling obstinately,
determined to work, regardless.
Starting over (the second chance machine!) is feasible,
but it’s so expensive to replace all those parts.
How much should I invest in this jalopy?

Teeth of mechanisms showing, skeleton
now of not-workings. Phantom in material,
reminder of what’s possible and what happened.
Pieces scattered, aluminum bones, white
buttons unpushable. Red lights unblinking.

Is friendship the proverbial two-way street?
Not this one, it’s a vehicle, tires whining on wet pavement,
the engine choking, then the crash--echoes of
percussive interactions. Without defense.

I am afraid to trust this chariot, however certified.
Let’s make this clear: I’m afraid of making the same error again.
But it’s a frame that wants flesh. A construct that wants creation.
A structure that believes I can be a god, that I hold its hope,
that through me, it will achieve something good, or functioning.

---
11.16.05
MWL

18.11.05

"Manic = Mansion"

Summer between
and the unsaid, rampant
on fired swords,
make me edgy.
Dream of
the once and future king--
reasons I won't fathom.

The full moon mirrored
in the marble building--
Can't wait to get home.
Closer to a chosen
sound, a softer floor,
singing louder,
burning with my
hard-wired blood,
and craving sleep.

* * *

Once home, shedding shoes,
the day in two swift motions,
I pulled on blue
limp to the couch
careful of my feet
cracking open a
cold can of coke
to settle my nerves,
do battle with danger
and sleeplessness.

Christmas lights are
coming down—
makes me think of New Year's,
and husband’s birthday.
But I rush those thoughts
out the door;
they mean people.
No more room for people
at the moment.
Sister's staying in the
spare bedroom, though
now she's studying.
We ride the couch
to familiar lands,
laced in pixels and
decibels.

* * *

Lights have blown,
the cats sleep on a blue
blanket; it's currently their
favourite, by virtue (if such
things have virtue) of being
in the sun, near the window.
Through the blue bottles on the
kitchen windowsill,
the Bolivian Jew,
stronger than the Wandering one.
Wish the basil were doing better.

Loitering outside my front door,
day, waiting, knowing
I'll not deal well,
being confrontational about
my being an evening person.
Reasons to stay indoors:
nursing my mania--
the agoraphobic mood,
the neurotic rearrangements,
the perfectionism that
frustrates the best intentions,
something demanding questions--
and the damn broke toe
with cinnamon toast
video games
cold coke
warm bread.

I return to the swords, the stones,
'cause I can't help it.
We sing Hosanna! Heysanna!
and smile, but she hurts, I hurt,
we really all hurt--
bones, brains, spirits, selves.
I summon forth birds!
Sing me to sleep, little ones,
for my own angel is gone.
Rock me to sleep, earth,
for my own mind vibrates too fast.
Tuck me in for rest, little girl,
you alone remember how.

* * *

I know I'll be awake at 2,
and at 3, and maybe 4, but
when 5 comes, he'll wake up,
then 6 will come, and
neither of us will sleep
further. Insomnia,
you are my keeper,
forgotten and fierce,
stalwart against
little pills
fatigue
wanting
I admire your resolve,
but you're not exactly welcome
in this house, now or ever.

At the end of summer,
this sentence may end.
Fall will come on
I'll continue Wednesday’s child;
winter-driven indoors,
sleep under
faux fur, humming fans,
nest in my name
arrangements of feathers and leaves,
books
threads
pillows
bottles
familiar.

---
10.28.05
MWL

17.11.05

"Voice 'Round the Corner"

You are the most selfish man I know,
what about your soul, to which gods will it go?

She’s having another “bad day,” talking to--
The most selfish man I know!

I’m dialing the bossman; low whisper-request.
He’ll be down soon, supposedly knowing
how to deal with these explosions.
It really boils down to presence;
she always seems to know when he’s coming,
no matter what. She howls, throws her boxes,
rivulets of possibly unmedicated words
streaming down her white face—
but the minute bossman’s down

it stops

He waits, five minutes, ten minutes,
interrogating me—what did I hear?
What started it?
The answers are always the same:
a voice full of other voices,
profanity, names spewed in acid,
objects departing their customary places
via her hands, and, no, I don’t know
what started it, though I have suspicions.
I don’t share those anymore.


He looks over his nose, over the cubicle wall
at the slammed door (though he wasn’t here for it).
The assistant director circles,
waiting to see the chaos start up,
but never timing it right.
I seem to be the only that can do that.

They’ll go back up, the silence in her office more
disconcerting than the sudden torrent of obscenity and
banging staplers, thrown ink-stamps and
accusations that bellow from her office,
that hurry my fingers back to the phone,
breath held, to see which will happen first: her descent, or his.

---
11.16.05
MWL

16.11.05

"Watch"

The metal taste of my inner workings, the soap flavor of my fingers; before that, the abusive magic of a migraine, the tasteless vision of insomnia, a merger of damage and necessity. I am saturated, head-turned, throbbing, bent against a desk, between a window and a phone call.


I’m an addict of a different sort, a spare-time dominatrix, vinyl and velvet instead of leather and latex. A cold-coffee buzz kept me focused on the two people in front of me, who used me for foreplay, an object for their exhibitionistic fervor. The troop of deaf people behind them sprung rats from wooden boxes, and when the man in purple tried to spring one on me, I smiled, told him I’d seen it. The couple frowned, so he sprung the rat on them. I smiled again. My lips were enough.


* * *


Dish hand over fist, pumpkin candles burning behind me, waiting for my reaper to come home. When he removes his glasses, I can see where the make-up failed--the living flesh, raccooned in white and black, tart and slick. He’s a beautiful man, with whiskey-crystal eyes, and every year, no matter how mad I go, he gets more beautiful.


I remember the witch on the bicycle, suspended between two buildings, and two cats, the dirty taste of smoke that drove us inside, where the couple barely kept their clothes on. They assumed I was a voyeur, based on my leisure. I looked forward to long black couches and root beer, despite the autumn-winter bastard of clouds that kept me bitter but liberated all the way home.


* * *

He’s singing about coming, and I wonder what he means, really. I just like when he makes her wail, like when he whispers, and the blue lips are burned into the third eye, the fourth eye. A new harmony sounds like the kind of bleeding-heart emo bullshit that molasses out of my radio, when I’m not careful with the dials. It’s hard when the sun, in the guise of winter, slices between the inbred mix of evening and empty cotton fields (grey corduroy).


What does he mean, she’s ruled by the lion? I believe in the sacred nature of blood and water, and the unmixability of iron and silver. Glass. Mirrors. White-haired man with a red-sweatered young man, their strides matched. Waiting for someone to walk into the fountain, distracted, umbrella useless. Aquarius, water. To sleep on the stones under the myrtles, the birches, the oaks. I suppose I’m ruled by sleep, or seasons, or something equally as rustic and ridiculous for a city girl.

* * *

It wasn’t my wreck, which is good for the soul, forced to sit beside a turned field in a mild afternoon. Talk of “troubled” souls. Talk to troubled souls. Coppery taste of metal in my mouth again, the dry smell of shampoo and strawberry bubble gum. A boy in the plaza rubs his face, opens his water bottle—it shines silver in the sun—and smokes. I want to talk to him, see if he sounds like my beautiful husband.

Willow wood. Apple wood. Cherry wood. Bone-smooth, stone-shiny wood—hair at a distance, in the sun. Buttery underside of dying leaves; I’m dwelling on these things because I can’t get to them, wherever they may be. Couple in black, baby in pink, cross paths, balding head, the boy moves.

* * *

Pad and pencil, scissors and a guide to the minerals of South Africa. He looked at me like I was crazy when I told him how to get where he was going. What? Laughter. What? Shade from shade, bench to café, wind to plastic bag, nothing moving without gusty encouragement. Even the rocks, the people, the helpless tendrils of hair on the brunette as she walks, head-down, by my window.

Leaf-blower, wind-mocker, blue sky, sordid hum of machines, bitter taste of metal recurring, crystal balls and the bemused smile of the Hanged Man…tightening in the diamond choker when I swallow, knowing the limited relief of a black sweater with a white button-up (that’s his my favorite, mine his black corduroy button-up).

* * *

Small notes on the speakers, her jade earrings, the click of a keyboard, the paranoid trill of the phone. Over the holy roads, the sacred side-streets and nameless paths, whispers change, self-contained, singular, wondrous, baiting clocks and stealing watches, until the chimes mean more, and I think about the metal workings of the demigod in the tower, and the soap scent of the dryads in the bathroom.

---
11.16.05
MWL

15.11.05

"Crack/Slip"

Burn down the nightmare,
figured and forged in

an iron climate,
iron jaws, masticating,
spinning on the dervish's dish,
melting the berserker's skin:

this sleeplessness,
foaming lunar madness
and lamenting violet insomnia--

careless to dawn,
familiar with moon,
constellations blushing
through clouds, planets

in currents carried too cold.

nonsensical to seasons,
indifferent to equinoxes,
solstices helpless,
unconscious from counting,
conscious to clocks and watches,
confusion circadian, fish
in currents carried too fast.

Start from drifting,
flustered and flicked switches thrown,
confounded and sifted memories gone,
rising from the covers resigned,
strung out from imagined sounds:

all is sleeplessness,
regularly bell-less rings,
and well-mapped ceilings--

digital bells and beeps,
glowing numbers multicolored,
cats' eyes closed,
heartbeat still strong, blood
in currents carried too hot.

---
10.28.05
MWL

9.11.05

"The Distance Between Desires"

I'm wise to the distance--
to any distance. Roving is my right,
and the holiness of my heart.
I take up the pen to murder
certain Muses, to free the thoughts
that have resisted expression,
to purge the pain from the mind
and the confusion in the soul.

This is what I do--change the seasons
mid-month, midday, mid-life.
Doesn't matter what's wanted;
it's what's needed that we must
concern ourselves with.
Yet even as I murder one Muse,
another rises to replace him.
Thwarted, to learn discipline.
Remote, and removed, to
be taught and to teach,
to be healed and to heal.

This will prove to be the
strange summer of my
not-quite-discontentment.
I will let it happen,
roll the windows down,
let the wind have its way
with hair and hand.
I will remember better summers
than this, when I roamed the
wide world, almost alone.

Wishing for rain won't make it
come, won't make it leave its
lightning-lash and thunderclad
loveliness on the steps,
on the windows, on the trees
and sidewalks, roads and
remote balconies, where
we find it with black rubber
and red rubber boots,
bought for that purpose alone.

Somehow and soon I will make clear
the desires of my heart; I will
learn to love more my loneliness
than the haphazard debts I incur
for random and irrational reasons.
We'll come in, cold and careful,
guarding the bleeding and blessed
instrument that is the heart,
that is the thinking soul and
the spirit to be freed from
flesh into water and fire.

---
06.09.05
MWL

8.11.05

[as yet untitled]

Yes, for you,
the unknown wound,
the Achillean ankles,
the unhinged hips...

Blessings born on lips
that kiss and curse,
from a heart that hopes
and hurts and hangs

in balances unseen,
for dances undefined,
the benefit of the damaged
and the faithful,

but I don't see those things.
I see You, holy, aweful,
Arms outstretched, bleeding.
I am and I am not afraid.

I am small. I am a sinner.
I am a wanna-be saint,
servant, songless, seeking.
You have the answers,

the questions, the panacea,
the proper password and key--
I keep hoping for clarity,
and sometimes I receive.

* * *
I bled all the way across campus,
once the wound opened,
but no one saw it. Water leaves
no trace on a Southern day,
unless it's raining...

Today the shun is signing,
and the tock is clicking,
and my ache is hearting...

up and down go the keys
as fingers fly and words blur
on electronic paper,
and the rats on the printer
point to me...

point to me...

the cursor points the write way,
and I give up on knowing,
and let it all happen to me,
bleeding, bells, and sleep...

---
05.05.05
MWL

4.11.05

[as yet untitled]

So now it's just the slow burn,
the lost and lilting low turn--
a flashback to Firenze, in the rain.

The day is no longer heavy on my flesh.
Only my heart is heavy, inexplicable,
a loss lifting the rest away from me.

Looking ahead I see the spring, and
I am grateful. Winter is a heavy season,
and I can't carry it anymore, alone.

Spring is a light season, and I have
always loved it, for renewal. Summer's
heavy, but I'm not looking that far ahead.

A fire that burned fierce and fast has
burned itself out; the ashes remain,
the embers threatening...

Let me pour water on them; I want no
danger. No sudden rekindling. Just
spring breezes and birdsong.

A sudden twist: I didn't see it coming.
Why do those saturnine moments come back, now?
Can't I think of Italy without grief?

Go away; I am wrapped up in gloomy down,
and I like the silence. It's between songs,
the quiet, and that's enough, for now.

---
Written: 03.22.05
MWL

3.11.05

"recovered"

No more mistress,
no more dame--
only the queen
has asked to remain,
and remain she shall.

I no longer absolve;
I am absolved.
I am not the question,
nor the answer;
I am resolved.

Once a means to an end,
now the end of the means.
Burned through and through,
I find new uses for these fires:
a furnace for finding.

I was right; I do not need it.
No matter what he said,
regardless of what she demanded,
I knew what I wanted,
and that was to be my own--
to have my own--and
that would take some
unbinding, and a
different kind of discipline.

Once unbound, what to do?
Make use of those fires:
burn the ropes. Burn the
thorns. Burn the delicate
stories and the long nights,
the wishes that weren't mine,
the expectations
and the shoes of a man
I had to live in the light of.

* * *
The conflagration lasted
through the night,
and in the morning,
through the remains,
charred, ash, meaningless,
shone something different,
and it was good.

The wind will scatter the rest;
my penance is done,
this tenure completed.
Having seen and sung
what was to been and told,
the wanderer goes.

---
Revision: 10.21.05
MWL