Quotation: Samuel Taylor Coleridge
"I wish our clever young poets would remember my homely definitions of prose and poetry; that is, prose equals words in their best order; poetry equals the best words in the best order."
Authenticity, expression, revelation, application.
"I wish our clever young poets would remember my homely definitions of prose and poetry; that is, prose equals words in their best order; poetry equals the best words in the best order."
can you be untaught something,
if so: what do you do with
the unwanted knowledge?
turn it into hand-me-down wisdom,
or donate it to some charity?
do you mend the tears,
try to replace the forgotten bits
like buttons, or just toss it in the bin?
something else that will later require
another careful unwinding?
something worse, which will demand scissors?
more than woven, more than stitched:
it will be dyed into the fabric of your mind,
will color the delicate blue and red
something more: the color of water,
the edge of evening,
smoke on the far side of the sun,
and the whispery tongue of a fire.
MWL
05.18.07
edited: 05.21.07
A thin horizon of pain along
it makes me think of
morning in my bedroom:
sunlight spilling through
naked windows, across the bed,
shafts and anchors of brightness.
the thin horizon arches,
curves up my back, carries me
to a throbbing
echoing the noise in my flesh.
What is the holiness of gates?
The boundary of
Do they watch, or are they simply watched?
The coils of the sun
burn away the remnants of sleep;
the moon cools the steps of the day.
The rain has subdued the fountain –
little faces of the sky scattered
evaporate without a word,
spindly tree in a circle of concrete –
drowsy, wind-worked, washed.
Storm perpendicular to the water
to the sidewalk to the slanted roof,
right angles with the day,
time dropping out,
fading from the start of the stars;
trying to define summer without negatives,
discovering impossibility at a certain age
a certain angle a certain angel…
black and white by the page,
it’s a letter – a poem – an article –
insufficient. water frozen. tide pool.
spray over the rocks, clutch of shells.
what does it mean? what could it mean?
* * *
a whisper against the ebb,
swirling siren around legs and feet,
a wake of salt and seaweed
cut across the sand
beneath a fading blood moon.
into the water – untouched, unsaved
by the whisper that swept by,
taking the candle flames with it.
* * *
loaded, a fear of pleasure,grace without sound,
mercy without a scent,
desecrated beyond flesh,
murmured with meals and
scattered for the feet of the dead…
no birds for the brides,
no keening trumpet for alarm.
leaving the page of the evening folded.
going home, following the voice
of streetlights and street signs.
this dripping heart
hours after the hours
minutes after the second hand’s stopped:
storm bayou blue mirrored green,
heron boudoir sandy tantrums –
edge of the water murky.
has she risen again from the bleeding,
voodooienne, courtesan?
brick streets, oak roads –
veins illuminated –
green glass beads, black feathers,
gold filigree, amethyst sky:
rex et
water children singing winter
and the groan of the great river.
rejoice, rex et
morning comes again,
washes the night,
washes the sky.
Touch to the tender to
...a litany of fractures,
of bridges broken and burned
in this body, this temple,
this village of rough words and ripe,
this city of thought and fire.
just coming unglued, a little.
But I don’t know it, not really.
the skin fevered, the sleeplessness,
blood martyred to sterile phials
bones hidden and revealed by light
supplicant to the secrets of my rind-
no howling aloud, no whimpered hallucinations:
just the bravery of my bones, the honesty of my blood.
on the sins of my muscles, the secrets of my organs.
reading the scripture of my skin,
the pronouncements from my heart,
the whispered revelations from my lungs;
no reading of my entrails...
Not even 30; not even 29.
Poisons, potions, and pills:
these are my communion. Amen.
top floor conference center:
The point is, I’m stuck here.
I keep thinking about
these guys I knew,
was close to,
and how we’ll never be again
and how I’m not sad about it
but fascinated by the explosions.
perfume flip-flops long hair
lip gloss short-shorts
sun’s going down
bayou is a murky watercolor
weeds and cypress knees
the windows look washed-out
how I feel
firm cold feeling of muscles seizing
sculpture of white-hot horizons and throttled moons
* * *
construction on campus has ceased
it’s quiet, but for keys clicking
doors squeaking
day’s end ghosts sinking
into their sofas and barstools
tinkling of tv stars beer bubbles
look what’s happening.
a girl has begun to blossom
into pretty
but isn’t sure how to cultivate
skirt too short unsure
bad posture
humped up my father would say,
hiding behind her hair my mother would say
no bra, tank top,
flapping sandals
summer colors in bag, clothes, foundation
self-tanning tart
carpet vacuum laundry pile
dishes dinner watering plants
in this southern humidity
drowning in the thick waves
of water
lemon-colored shirt of coworker
focus drawn blinking red light on the phone
sun sets against the
curve of my spine
twitch in my hands
day of days and hunger
wind warm with clear sky
a mojo-pinned morning: